{"id":11145,"date":"2024-01-13T12:54:12","date_gmt":"2024-01-13T12:54:12","guid":{"rendered":"https:\/\/sudanevents.com\/?p=11145"},"modified":"2024-01-13T12:54:12","modified_gmt":"2024-01-13T12:54:12","slug":"memory-of-sudanese-theatre-theater-radio-and-tv","status":"publish","type":"post","link":"https:\/\/sudanevents.com\/index.php\/2024\/01\/13\/memory-of-sudanese-theatre-theater-radio-and-tv\/","title":{"rendered":"Memory of Sudanese theatre Theater, Radio and TV"},"content":{"rendered":"

By Al Sir Al Sayed<\/strong><\/p>\n

: The art of theater has been distinguished from the dawn of its history until now by the fact that it has always been able to have techniques that enable it to \u201ccompromise\u201d in order to adapt, reproduce, or modify literary texts, texts of radio, TV, cinema, theater itself, and even performing arts such as dancing, singing, and music, and transforming them into a theatrical performance. Or integrating it into his contexts. Therefore, and perhaps because of this characteristic, he was called the father of the arts.
\nIn this article, I will stop, without detailing, at the experience of Sudanese theater in activating these techniques, leading to what I might call \u201cdramatic treatments\u201d of non-theatrical texts and transforming them into theatrical texts, and because they are so numerous, I will suffice with citing some examples.
\nAfter that, it is up to critics and researchers to explore the depths of this experience. .
\nIn radio drama, for example, we find famous plays such as \u201cAl-Manadhara\u201d by Hamdnallah Abdel Qader, \u201cAl-Dahbaya\u201d by Ali Al-Badawi Al-Mubarak, \u201cA Story Under the Hot Sun\u201d by Salah Hassan Ahmed, and \u201cWadi Amsdir\u201d by Mohamed Khojali Mustafa. They were originally series presented by Radio Omdurman, and in drama. On TV , we find the play \u201cCorner Kiosk\u201d by Hamdnallah Abdel Qader, which was originally a play presented on TV.
\nAs for the field of literature, such as poetry, we find many poems that were turned into theatrical performances, including \u201cThe Torrent\u201d and \u201cMasdar Abu al-Surrah Liyanki\u201d by the poet Al-Qaddal, and \u201cConcerning the Sea\u201d by the poet Osman .
\nBushra, and in the short story we will find the story \u201cThe Ant-Man\u201d by Youssef Idris, which Professor Saad Youssef turned into a theatrical text, which is \u201cThe Story of the Ant-Man,\u201d and the story \u201cThe Chain is Hurn\u201d by Abdullah Ali Ibrahim, which he himself turned into a theatrical text, which is \u201cHot, Dry, Sprawling.\u201d As for Regarding the novel, I will suffice with mentioning the novel Dhawal al-Bayt, which the poet Mohamed Mohi al-Din turned into the play \u201cDhawal al-Bayt.\u201d
\nIn the field of folk tales, legends, and oral or written history, and given the theater\u2019s work in these sources, we will focus, but not limited to, on the plays \u201cThe Death of Taghuj and the Mahalaq,\u201d \u201cThe Destruction of Soba\u201d by Khaled Abu Al-Rous, \u201cNabta Habibti\u201d by Hashem Siddiq, and \u201cThe Tragedy of Yarol\u201d by Al-Khatim Abdullah and \u201cA statement by a farmer from Gouda\u201d by Professor Abdullah Ali Ibrahim.
\nSo we can say that the Sudanese theater, like other theaters in the world, worked on literary and artistic texts and on dramatic works that had previously been presented through other media, and on stories, legends, written and oral histories, and with its breadth and flexibility of techniques, it was able to transform them into theatrical performances that people saw and testified to its uniqueness. Who among us has not been captivated by the play of Al-Dhabaya or The Yarol Tragedy play or the Wadi Al-Masdar play.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Al Sir Al Sayed : The art of theater has been distinguished from the dawn of its history until now by the fact that it has always been able to have techniques that enable it to \u201ccompromise\u201d in order to adapt, reproduce, or modify literary texts, texts of radio, TV, cinema, theater itself, and …<\/p>\n","protected":false},"author":2,"featured_media":5980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-11145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-culture"],"_links":{"self":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/11145","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/comments?post=11145"}],"version-history":[{"count":1,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/11145\/revisions"}],"predecessor-version":[{"id":11146,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/11145\/revisions\/11146"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/media\/5980"}],"wp:attachment":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/media?parent=11145"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/categories?post=11145"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/tags?post=11145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}