{"id":4266,"date":"2023-11-13T08:30:30","date_gmt":"2023-11-13T08:30:30","guid":{"rendered":"https:\/\/sudanevents.com\/?p=4266"},"modified":"2023-11-14T08:31:35","modified_gmt":"2023-11-14T08:31:35","slug":"inside-sudans-war-theres-another-war-of-art","status":"publish","type":"post","link":"https:\/\/sudanevents.com\/index.php\/2023\/11\/13\/inside-sudans-war-theres-another-war-of-art\/","title":{"rendered":"Inside Sudan\u2019s War, \u2018There\u2019s Another War of Art"},"content":{"rendered":"

New York Times -Sudan Events\u00a0<\/strong><\/p>\n

Dozens of Sudanese artists and curators have fled their studios and galleries in the capital, jeopardizing thousands of artworks and imperiling an art scene central to the 2019 revolution.<\/p>\n

On the morning Sudan\u2019s rival military forces began fighting, Yasir Algrai was in his studio in the center of the country\u2019s capital, prepping for another day of work surrounded by paint colors and canvases.<\/p>\n

That was on April 15 \u2014 and in the three days that followed, Mr. Algrai remained trapped in his studio, starving and dehydrated as battles raged outside his door on the streets of Khartoum.<\/p>\n

For hours every day, he cowered in terror as bullets pierced the windows of the building and the walls shook from errant shelling. When a small period of quiet to escape materialized, Mr. Algrai was eager to seize it \u2014 albeit with a heavy heart.<\/p>\n

\u201cI could not carry any of my art or personal belongings,\u201d said Mr. Algrai, 29, who got out, but left behind his favorite guitar and more than 300 paintings of different sizes. \u201cThis conflict has robbed us of our art and our peace, and we are now left trying to stay sane in the midst of displacement and death.\u201d<\/p>\n

Mr. Algrai is among dozens of Sudanese artists and curators who have fled their studios and galleries as two warring generals lay waste to one of Africa\u2019s largest and most geopolitically important nations.<\/p>\n

Amid the freewheeling violence, many fear that the war will devastate the city\u2019s burgeoning art scene, propelled primarily by young artists who emerged from the 2019 pro-democracy revolution and who were beginning to gain regional and global attention.<\/p>\n

Smoke rising in Khartoum on Wednesday. While a new weeklong cease-fire seems to be holding, fighting has continued in some parts of the country.<\/p>\n

A dozen Sudanese artists and curators in Sudan, Egypt and Kenya told The New York Times that they had no idea about the fate of their homes, studios or gallery spaces, which cumulatively housed artworks worth hundreds of thousands of dollars.<\/p>\n

\u201cThe artistic, creative ecosystem is going to be broken for a while,\u201d said Azza Satti, a Sudanese art curator and filmmaker. Artists, she said, \u201csaw the people\u2019s need to express themselves, to feel alive, to feel recognized,\u201d adding that the war was gradually leading to \u201cthe erasure of that voice, that identity.\u201d<\/p>\n

Some of the fiercest fighting in the capital has unfolded in neighborhoods like Khartoum 2, where the city\u2019s newest art galleries are based, or bustling districts like Souk al-Arabi, where Mr. Algrai kept his studio. Robberies and looting are rampant in those areas, with residents blaming the paramilitary forces who have steadily tightened their grip on the capital.<\/p>\n

With museums and historical buildings attacked and damaged in the fighting, many are also concerned about the pillaging of the country\u2019s artistic riches and archaeological sites.<\/p>\n

The Sudan Natural History Museum and archives at the Omdurman Ahlia University have both suffered significant damage or looting, the United Nations Educational, Scientific and Cultural Organization said in a statement.<\/p>\n

Eltayeb Dawelbait, a Sudanese artist, at his home and studio in Nairobi, Kenya. He is worried that Sudan\u2019s cultural institutions will be pillaged.<\/p>\n

\u201cInside the war, the physical war, there\u2019s another war for art,\u201d said Eltayeb Dawelbait, a veteran Sudanese artist who is based in Nairobi. Mr. Dawelbait has several pieces in Sudanese galleries and said he feared Sudan\u2019s artistic and cultural institutions would be pilfered much like what happened in Iraq two decades ago.<\/p>\n

\u201cThe artwork needs to be protected,\u201d he said.<\/p>\n

After the country\u2019s 1956 independence from the United Kingdom and Egypt, Sudan had a bustling art scene that produced renowned artists, including Ahmed Shibrain, Ibrahim El-Salahi and Kamala Ibrahim Ishag. But in the three decades that the dictator Omar Hassan al-Bashir held power, he used censorship, religious decrees and imprisonment to limit creative expression, forcing many artists and musicians to flee the country.<\/p>\n

That began to shift during the 2019 revolution, when young artists poured into the streets to paint murals on walls and roads and call for democratic rule. When Mr. al-Bashir was eventually removed from power in April of that year, artists reveled in their newfound freedoms and began painting and sculpting to capture life in post-revolution Sudan.<\/p>\n

Revolutionary graffiti seen at a sit-in in front of Sudan\u2019s military headquarters, in Khartoum, in April 2019. Artists played a key role in the ouster of the country\u2019s dictator.<\/p>\n

Among them was Dahlia Abdelilah Baasher, a 32-year-old self-taught artist who quit her job as an art teacher after the revolution in order to work full-time on her art. Ms. Baasher\u2019s figurative paintings examine the repression that women face in Sudanese society, and over the years, her pieces have attracted the attention of curators and art custodians from Sudan, Egypt, Kenya and the United States.<\/p>\n

Days before Sudan\u2019s war broke out in April, she and her family went to Egypt for the last days of the holy month of Ramadan and the following Eid holiday. Ms. Baasher packed several small paintings for the trip with the hope of selling them, but left more than two dozen large canvases at home.<\/p>\n

\u201cI cannot put into words or onto a canvas how I feel about this war,\u201d Ms. Baasher said in a video interview from Cairo. With her apartment building and neighborhood in Khartoum deserted, she said she didn\u2019t know the fate of any of her belongings.<\/p>\n

\u201cWe are all just shocked and traumatized,\u201d she said. \u201cWe never imagined this would happen and that we would lose the art movement we have been building.\u201d<\/p>\n

New artwork by Dahlia Abdelilah Baasher, a self-taught Sudanese artist. Ms. Baasher left behind more than two dozen large canvases at her apartment in Khartoum, the Sudanese capital.<\/p>\n

Her pain was shared by Rahiem Shadad, who in the heady, post-revolution days co-founded The Downtown Gallery in Khartoum.<\/p>\n

Mr. Shadad, 27, works with more than 60 artists across Sudan, and was planning a solo show in Khartoum for Waleed Mohamed, a 23-year-old painter. Mr. Shadad had also just finished curating and shipping artworks for an exhibition scheduled to travel abroad titled \u201cDisturbance in The Nile.\u201d The show, which starts in late June, will tour Lisbon, Madrid and Paris and feature Sudanese artists from various generations.<\/p>\n

But since the fighting broke out, Mr. Shadad has focused solely on ensuring the safety of the artists and their artwork.<\/p>\n

Hundreds of paintings and framed artworks are stuck in the Downtown Gallery located in Khartoum 2. The conflict has also drained the savings of many artists and denied them a regular income, which largely stemmed from sales to foreign nationals and embassy officials who have now been evacuated.<\/p>\n

To help artists and their families, Mr. Shadad, along with Sudanese curators like Ms. Satti, started a crowdfunding campaign this month. They are also mulling over how to transport artists\u2019 works to safety once relative calm takes hold in Khartoum. Despite a seven-day cease-fire scheduled to expire on Monday, Mr. Shadad said he had been told about robberies and harassment of civilians who venture back to the area near his gallery.<\/p>\n

\u201cThe hub of the art scene in Sudan is under a serious attack,\u201d Mr. Shadad, crying, said in a phone interview from Cairo. \u201cIt is extremely emotional thinking that the hard work that we have done will just be lost.\u201d<\/p>\n

Rahiem Shadad, the co-founder of the Downtown Gallery in Khartoum. He said the war has drained the savings of many artists and denied them a regular income.<\/p>\n

For many artists, the conflict has also denied them access to their source of inspiration.<\/p>\n

Khalid Abdel Rahman, whose work depicts landscapes of Khartoum neighborhoods and Sufi tombs, fled his studio in Khartoum 3 without his paintings and says he\u2019s been thinking about how the conflict will affect his vision and future creations.<\/p>\n

\u201cI can\u2019t figure it out now,\u201d he said. \u201cI\u2019m really sad about this.\u201d<\/p>\n

But amid the death and displacement that has enveloped Sudan, artists say this is another period in the nation\u2019s history that they will have to document one way or another.<\/p>\n

\u201cThis is an era that we must carefully study so that we can pass it on to future generations and introduce them to what happened to the country,\u201d Mr. Algrai, who is staying in a village east of Khartoum, said.<\/p>\n

\u201cThe passion will never die.\u201d<\/p>\n

Azza Satti, a Sudanese curator and filmmaker, at her home in Nairobi. The walls are adorned with artwork by a Sudanese artist, Khalid Abdel Rahman.<\/p>\n","protected":false},"excerpt":{"rendered":"

New York Times -Sudan Events\u00a0 Dozens of Sudanese artists and curators have fled their studios and galleries in the capital, jeopardizing thousands of artworks and imperiling an art scene central to the 2019 revolution. On the morning Sudan\u2019s rival military forces began fighting, Yasir Algrai was in his studio in the center of the country\u2019s …<\/p>\n","protected":false},"author":2,"featured_media":4267,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-4266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-culture"],"_links":{"self":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/4266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/comments?post=4266"}],"version-history":[{"count":1,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/4266\/revisions"}],"predecessor-version":[{"id":4268,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/4266\/revisions\/4268"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/media\/4267"}],"wp:attachment":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/media?parent=4266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/categories?post=4266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/tags?post=4266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}