<\/p>\n
Sudan Events<\/strong><\/p>\n <\/p>\n Writing in the Sudanese TV series: In this article, I will focus on the period extending from 1990 to 2004 because it witnessed continuous production and created a significant accumulation.<\/p>\n Looking at the 13 \u201cbooks\u201d of this period, we notice the following:<\/p>\n Only five of them\u201d have studied in academic institutions specializing in drama, and they are the professors: Al-Fateh Al-Badawi, Jaafar Saeed, Qismallah Al-Solhi, Mustafa Ahmed Al-Khalifa, and Syed Ahmed Ahmed. As for the professors, Adel Mohamed Khair, Anas Abdul Mahmoud, Abdel Nasser Al-Taif, Adel Al-Baz, Mustafa Ali Al-Hassan, and Mohamed Fath Al-Rahman. (Al-Shaiqi), Abdel-Rahman Ahmadun, and Al-Fadil Saeed did not graduate from academic institutions that teach drama, and this does not deny that they have their own readings and experiences.<\/p>\n Series of this period are:<\/p>\n \u201cThe Witness and the Victim,\u201d \u201cBare Feet,\u201d \u201cBlood on the Sea,\u201d \u201cThe Other Side of Love,\u201d and \u201cBlood\u2019s Journey\u201d by Adel Mohamed Khair, and \u201cA Smile of Hope,\u201d \u201cThe Last Train,\u201d \u201cLiquidation,\u201d and \u201cThe Glow of Twilight\u201d by Al-Fatih Al-Badawi. \u201cThe Shame\u201d and \u201cFlying Outside the Flock\u201d by Jaafar Saeed, \u201cBefore Sunrise\u201d and \u201cEnemy of Zeros\u201d by Adel Al-Baz, \u201cPaper Tiger\u201d and \u201cA Very Special Mission\u201d by Anas Abdel Mahmoud, and \u201cThe Sword and the Day\u201d and \u201cThe Serpent and the Scales\u201d by Qasim Allah. Al-Salhi, \u201cThe Ogre\u201d by Mustafa Ahmed Al-Khalifa, \u201cSuburban Moons\u201d by Abdel Nasser Al-Taif, \u201cDreams Deferred\u201d by Mustafa Ali Al-Hassan, \u201cThe Fire and Other Things\u201d by Syed Ahmed Ahmed, \u201cReturn to Earth\u201d by Abdel-Rahman Ahmad, \u201cWaiting for Adam\u201d by Muhammad Fatah Al-Rahman (Al-Shaiqi), and \u201cThe Death of the Sheep\u201d by Mr. Al-Fadil Saeed.<\/p>\n The following: General notes:<\/p>\n In the TV series, and according to the Arab, Mexican, Korean, and finally Turkish experience to the extent that we have been able to watch it, the \u201cstory building technique,\u201d the \u201chero character building technique,\u201d and the \u201cdialogue technique\u201d occupy a distinguished position in the components of the television series, and given the manner in which these techniques are presented in the TV series.<\/p>\n Among the authors of this period, we find, in general, that the majority of series from this period lack to a large extent the technique of constructing the story. With a few exceptions, we can hardly detect the presence of a story with a beginning, middle, and end. The cause from my point of view, lies in relying too much on the formal distribution of scenes (plural of scenes). ) which the series consists of, so as you move from scene to scene, you barely touch a narrative that leads to a story with events that develop to reach its end…<\/p>\n This lack of cohesion in the story, which is the basis of the television series, directly affected us in building the character of the hero, as we all remember the heroes of the series that preceded it.<\/p>\n The year is 1990, such as \u201cKoreina \u201d in the series \u201cThe Poison Seller\u201d or \u201cDabba and Karnaf\u201d in the series \u201cSikkat Al-Hazar\u201d, while we can hardly remember the name of one of the heroes of the period, the subject of our article. Perhaps this is due to the absence of digging in the construction of the character of the hero, replacing it with the general ideas that The series presents it with a few exceptions, such as the Witness and the Victim series and the Shaima series..<\/p>\n I say that the construction of the story and the construction of the character of the hero in the manner we have referred to had a direct impact on the element of dialogue, which the scenic image does not gain its value without, and accordingly, and in general, it can be said that the dialogue in the series of this period is based on At least most of it requires a big pause. In general, it lacks the \u201caesthetics of style\u201d because it mostly uses \u201ceveryday\u201d language.<\/p>\n It is certain, particularly among observers, that most of it is the result of actors\u2019 improvisation. I would add that, in many cases, it does not use the metaphors of the language on which it is based, whether colloquial or colloquial.<\/p>\n It is eloquent, like proverbs or quotations, and in many cases it does not express the dramatic character who says it, as it is often either the author\u2019s voice or the actor\u2019s voice.<\/p>\n","protected":false},"excerpt":{"rendered":" Sudan Events Writing in the Sudanese TV series: In this article, I will focus on the period extending from 1990 to 2004 because it witnessed continuous production and created a significant accumulation. Looking at the 13 \u201cbooks\u201d of this period, we notice the following: Only five of them\u201d have studied in academic institutions …<\/p>\n","protected":false},"author":3,"featured_media":7539,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-7538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-society-culture"],"_links":{"self":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/7538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/comments?post=7538"}],"version-history":[{"count":1,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/7538\/revisions"}],"predecessor-version":[{"id":7540,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/posts\/7538\/revisions\/7540"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/media\/7539"}],"wp:attachment":[{"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/media?parent=7538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/categories?post=7538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sudanevents.com\/index.php\/wp-json\/wp\/v2\/tags?post=7538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}