Director and Author Mohamed Alish: We will be Rich Artistic Food

We have the opportunity to appear as authors more than directors.

Displacement will shape new stories.

Sudanese cinema enjoys high acceptance.

Sudan Events – Magda Hassan

In accordance with the same example (what does not kill me makes me stronger), the people of art agreed to besiege frustration with work and change reality with the arts, in order to motivate and implement the slogan (the solution is in art). From this standpoint, the intensity of creative production can be observed. Despite the circumstances of the war, the wheel of arts production did not stop at all levels

Gap Noon 

As part of the activities of the Sudanese Artists Association in Egypt, Mohamed Alish – the author, director and actor – is working on a dramatic work that is about to be shown to the public. In an exclusive interview to Sudan Events, Alish said that he is working on

(Gap Noon ) is a visual women’s scene that creates the features of three women telling their stories through physical formations.

He added: The body is the primary curse through which society judges women, whether positively or negatively. These visual scenes loosely narrate the suffering of women inside a theater stage in the form of a large, fragile bubble that represents the extent of the psychological and societal siege to which women have fallen.

The struggle of good and evil

Alish said: Three women and a singer meet in an unknown place and exchange dialogue and singing with the circular frame that the Sufis use in praise, but in the same geometric sense it symbolizes those circles that do not end with the woman unless she falls into another circle larger than her.

This is how the idea of ​​the spectacle crystallizes to discuss the conflict between Good and Evil and interpretations of the conflict between them. The scene is an idea and written by Mohamed Alish.

Representing the artist Rehab Ibrahim, the star actress Wissam Salah, and the actress Siza Sorkati. Singer “Waad” and musician Ali Al-Zein performed by Mohamed Hassan Tayara. Magda Nasraldin. Directed by Mohamed Alish

Evacuation

(Noun Al-Ghafa) was the first work after Alish took refuge in Egypt, where he worked for three months until the work was published: There had to be a release of scenes of war and killing, so I spent three continuous months working. The last theatrical work before the war by Alish (Hashtag), written by Awad Shakespeare and directed by Alish: Hashtag was for the Sharjah Festival and was not included in festivals.

Movies

Alish, the author and director, said that he is in a state of complete artistic sabbatical after he settled in Egypt, the country of the arts, and he considers it an opportunity for production and success. He said that he agreed in a conversation with the young director and film producer Amjad Abu Al-Ala that there is a crisis of ideas in the Arab world and that they had the opportunity to appear as authors more than directors. Perhaps there are several films that have not yet appeared

(The movie Needle) written by Khaled Ali Makki, based on the story of Yahya Fadlallah. And (Cross Pictures) also written by Khaled Ali Makki. And

(Doubts) short film.

The film (Al-Sikka Haneen) was written and directed by Alish.

Migration and Movie

Alish worked at the National Theater in Omdurman as a director and actor, then immigrated for years to the United States of America, where he studied cinema in Washington at the Institute of Movie and Arts, and he still works and studies even in Cairo: studying for a diploma at the Kleber Institute under the supervision of the great director Ali Badr Khan. It is almost the end.

Sudanese Faces

Alish believes that Sudanese cinema has become highly visible: A while ago, I wrote about the movie (Goodbye, Julia) and the Sudanese interest in cinema. Currently, Mohamed Alish is preparing for his graduation film, and he added: I have a film that I originally conceived in Egypt, and the time has come. Alish believes that Sudanese works will find acceptance and popularity, particularly since the Egyptians are in great demand for new faces from the Sudanese: Now the actress Islam Mubarak is working with Mohamed Ramadan in a big movie, and Mahmoud Maysara Al-Sarraj also starred in a movie shown in cinemas called (Shamarekh), in addition to other works and series. There is a lot of demand for new faces because Egyptians are looking for new colors and new stories because they have not left a topic that they have not made a movie or series about.

Artistic Food

Alish believes that displacement and war stories will produce many new topics that can form the food for artistic production. He added: Weren’t we the world Food Basket? Now it will be a fatty artistic food.